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You are watching: What musician was associated with the boogie-woogie style of piano playing


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Boogie Woogie to be the very first and to day the only specifically piano music to issue from the blues. Boogie Woogie, a term offered to define the blues piano playing that thrived around between the year 1920 and also 1945, to be a highly popular music in tenements. The very name Boogie was an additional name for the "house rental party." Both terms define a phenomenon that took ar in the overfilled tenements the Chicago, Detroit, brand-new York, and virtually every city v a huge black population. Because poverty was a way of life, black civilization learned conveniently to rely on each various other to tape together and also to work-related toward common goals. One together goal was that of just being maybe to salary the rent. With unemployment at a typically high level (at least for blacks), men long accustomed to making it through under the most adverse problems ingeniously devised a method that offered the combined purposes of elevating the rent and also providing a method of society intercourse. The "House rent Party" ("The Parlor Social," "The Boogie") was a party given by a tenant together a way of elevating his rent. Because that the nominal amount of "two bits" or "four bits," the tenant"s neighbors were cure to an evening of boogie woogie piano through some local hero, some southerly culinary act such as catfish and also Kentucky oysters (bring your own drinks), and some "hangin" out." of course, together parties were reciprocal - "you come help me pay mine rent and also I"ll come help you pay yours." The blues pianist, unlike most other instrumentalists, had actually a great deal of mobility mainly since he didn"t have to carry his instrument v him. For this reason, the blues pianist was rather of a cosmopolite, traveling as soon as the mood, or the neighborhood Sheriff, struck him. Some of the more famous boogie woogie players to be Meade Lux Lewis, Albert Ammons, Cripple Clarence Lofton, Jimmy Yancey, and also Sugar Chile Robinson. Logically enough, the first generation that blues pianists who were born in the 1890"s were affected by ragtime, however the second generation were exclusively blues players. Few of the qualities of boogie woogie are: It was born in gin mills, wood camps and also rent parties. There to be not lot subtlety to the music - bad to poor instruments and also unschooled instrumentalists. Volume was created by physics strength. form was always a blues; songs had no real beginning or ending, lot like african music. focus on rhythm rather than melody. return to breaks to produce tension and to remainder the left hand. The left hand, which never ever varied, could have to be an outgrowth the "stride" piano. Boogie Woogie patterns were personalized lot like the field hollers and also hawking cries. The left hand ostinato (a recurring figure) offered as a forerunner the rhythm and also blues. Unpianistic music. Percussive and rugged. Uneven and also unpredictable.In current years, over there has showed up a lot of pretentious nonsense around the unconventional size of the "conventional 12 bar blues." Those who rave around this unusual individual pattern would have a hard time explaining Clarence"s peculiar phrase and duration lengths. In his version of "Pinetop"s Boogie," his very first three choruses room respectively eleven, ten, and twelve actions in length. In the latter component of the piece, Clarence favors a fourteen bar construction, v a final chorus of 14 1/2 for an excellent measure! Odd expression lengths were an in similar way in his vault solo arts recording the "Streamline Train" and "Had A Dream," and "I Don"t Know" (in which bag of 19 and 20 bar choruses are adhered to by among 19 1/2). Rather evidently, Clarence did not collection out one of two people to do his music screwy, or mathematically complicated; he simply played the notes to to express what he felt, and also couldn"t be bothered come count the end the variety of beats. After all, Clarence walk not even regard himself together a pianist, however simply as a to sing entertainer that made great money in his day. "Man I"ve do as much as $3.00 a night," he has said. Eight-eighth note to the bar or at the very least an eighth note feeling. usage of octaves, trills, etc. A two voiced music. Rhythm and color were an ext important than chords. right hand embroidered and supplied filigree Blues range with chromaticism. numerous other melodies transformed to boogies. (i.e., "Bumble punishment Boogie," "Begin the Beguine Boogie," "Chopstick Boogie")."The piano was one of the last tools to be mastered by the black performers, and it to be not until the introduction of boogie woogie that black musicians thrived in producing a piano music the was within the emotional heritage of negro music." (LeRoi Jones, Blues People, p. 90) The music declined due to the fact that of advertising limitations and refinements top top the one hand, and also on the other, once it obtained too far from the atmosphere that spawned it. That is axiomatic the refinement and also elaboration in any art space accompanied by a corresponding decrease in vitality, ruggedness, spirited abandon, ingeniousness and intensity the expression.